Tuesday, January 18, 2011

Milena Velba Baby Jansen

1999/Evan Parker Electro-Acoustic Ensemble/"Drawn Inward"

E n their quest to create a complex interface between free jazz and musique concrete, the English saxophonist Evan Parker recruits an ensemble of improvisers and a few responsible for generating sonic effects in time real. Even before I reported on this thick and very inventive experiment, and now it's time to talk about the specific disc that I am publishing today. Drawn Inward is the sequel to his debut with Elecro-Acoustic Ensemble, Toward The Margins . This release Lawrence Casserley joined the project, taking care of computer effects. The first thing you hear on this album is a tribute to Johnny Hartman, and tear away the bitter taste of cataclísmias improvisation, incredible solos and work Parker negligible electronic subsystem. The grounds are kept abstract in this record and along other works of Electro-Acoustic Ensemble, somehow connected with some kind of contemporary music. The movements you will discover here are a series of collisions instrumental dissonance and potential overlap between layers of music, this is more unusual as the link between improvisation, debauchery, and modern technology supported on the environment.

(megaupload link on la portada y en los comentarios)

Track List
*01.- The crooner (9:14)
*02.- Serpent in sky (7:30)
*03.- Travel in the homeland (7:58)
*04.- Spouting bowl (2:56)
*05.- Collect calls (10:39)
*06.- Aka Lotan (4:24)
*07.- Reanascreena (5:43)
*08.- At home in the universe (3:21)
*09.- Writing on ice (3:44)
*10.- Phloy in the frame (3:49)
*11.- Drawnlnward (5:59)

Line-up
Evan Parker tenor and soprano saxophones, khene
Philipp Wachsmann violin, viola, live electronics, sound processing
Double-bass Barry Guy Paul Lytton
percussion, live electronics
Lawrence Casserley live electronics, sound processing Walter Prati
live electronics, sound processing Marco Vecchi
live electronics, sound processing

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