Remember to Led Bib ? Ending in 2009 closed that year with his very good album, Sensible Shoes, and now are back with more good music. Fortunately, this is just the same. First, almost put aside the piano and now the music is dominated by the saxophone, which give rise to more than enough imagination counterpoints, cacophony, faster and less Improvs retain a bit of jazz of yesteryear. There is also a track where they enter an introductory electronics, and are carefully inserted into your formula. Although Rhodes is used very occasionally, there is a point where you miss a memorable one and that goes into jazz-rock tradition. No less important are those dissonant clashes that are maintained throughout the album, and converging in amazing ways to distortions and precise effects. Led Bib's proposal has remained fresh, energetic and ready to be heard by anyone jazzhead nonconformist and also by the audience RIO 
Kelvin Lei
Seeking Women Love Poem:
unlimited spring, but few
fall.
robber Good grief. Gambler
occasionally a loss.
Vaccinated against the impossible. Essential
smile with both hands.
confidential capacity will be assessed. Refrain
hearts of gold, customs
respectable ladies, princesses turned
battlements.
Offered:
own office in these verses
overlooking a rain of doubt. Salary
none, but commission in dreams. Immediate incorporation
complicity. Interested
enter without knocking but not before burning any references
.
Pedro Flores (Las Palmas de Gran Canaria, 1968).
E n their quest to create a complex interface between free jazz and musique concrete, the English saxophonist Evan Parker recruits an ensemble of improvisers and a few responsible for generating sonic effects in time real. Even before I reported on this thick and very inventive experiment, and now it's time to talk about the specific disc that I am publishing today. Drawn Inward is the sequel to his debut with Elecro-Acoustic Ensemble, Toward The Margins . This release Lawrence Casserley joined the project, taking care of computer effects. The first thing you hear on this album is a tribute to Johnny Hartman, and tear away the bitter taste of cataclísmias improvisation, incredible solos and work Parker negligible electronic subsystem. The grounds are kept abstract in this record and along other works of Electro-Acoustic Ensemble, somehow connected with some kind of contemporary music. The movements you will discover here are a series of collisions instrumental dissonance and potential overlap between layers of music, this is more unusual as the link between improvisation, debauchery, and modern technology supported on the environment. 
The album here Norwegians present Ultralyd latitudes travels very different from what was seen in its latest release. While in Inertiadrome demonstrated their stiffness and obsession with repetitive rhythms, Chromosome Gun is much more open to improvisations unlimited. The amplified and hard bass sound is a feature that prevails in the two albums, but here the sax has a stronger impact and to remind themselves insane Zorn bolder in its early stages. The battery at all times is like a tank bombs, attacking adding to the atrocities of the other instruments. The aggressiveness and motility 
Lucia Coghetto 
A side project or sub- Wha-ha-ha is Sakata Orchestra, whose information on the web is very scarce, and few data are known. But the interesting thing is that these Nipponese lanes are cleaned electronic Wha-ha-ha and strange humor to create a monstrous specimen of free-jazz. Discovering are here heavy saxophone improvisations, piano, to collect the best jazz of the West to throw fast movements and rapid rhythms, always changing. 
Walter Girotto 
