Oversized Male Genitalia

Anna Razumovskaya

Lovers

Ascending

slow growing tide
foot lovers find and link sweetly
as trees move,
fulfilling their destiny of burned skin. Standing
are two swords fighting stubbornly to distract
death
lines are two rivers flowing into the moment that cancels the sealed
slogan of oblivion.

And if the world impatiently
is out of joint, bursts or dissolves,
lovers ignore it, just need
the song of his blood, his life
wet recovered in small battles and deaths
at each bounce.

• Flor Alba Uribe

Toddler Thirsty And Hungry

1999/John Paul Jones/"Zooma"

ever I told The Night that with the creation of Jazz-Private , felt that the music I listen not fit into the theme of it. However, he told me not to worry because his intention was not limited to this genre, provided it was good music.

Hoping not to disappoint my colleagues, much less the followers of this space, I dare to share with you all this material that, again, is a little out of Jazz . John Paul Jones
is best known for being part of the legendary band Led Zeppelin . after the dissolution of the group, through the death of their drummer, John Bonham, the remaining members of the group went their separate ways and some musical collaborations.
John Paul did not see much activity until 1985, when he did the soundtrack for the film Scream For Help . In 1994 he released an album very sui generis collaboration with the singer Diamanda Galás called The Sporting Life .
It was not until 1999 that Jones released his first album in soliatrio, surrounding himself with musicians of the stature of Trey Gunn (King Crimson , KTU, TU ....), Paul Leary (Butthole Surfers ) Pete Thomas (Elvis Costello ) and Denny Fongheiser . Zooma
is an instrumental album in which the former bassist of Lead Zeppelin, gives example of the excellent musician who is leaving the "anonymity" in which he lived with Led Zep.
The sound of the material is a mixture of Hard Rock and Progressive all this spiced with a dash of classic sound Zeppeliniano , which the same John Paul Jones helped create. All cuts are recommended but my suggestion would be Zooma and Grind. In the latter, listen to the solo Trey Gunn in his ever-faithful Warr Guitar.
An album that I hope does not disappoint.

(link in mediafire on cover or in the comments)

Topics:
1.Zooma
2.Grind
3.The Shadow of Your Smile
4.Goose
5 . Bass 'N' Drums
6.B. 7.Snake
Fingers Blues Eyes
8.Nosumi
9.Tidal

Personnel: John Paul Jones-
/ Bass guitar, double bass, keyboards, guitar, electric mandola, Kyma
-Pete Thomas / Drums, percussions
-Paul Leary / Lead guitar, Trey Gunn
/ Rhythm guitar, Warr guitar, Denny Fongheiser
/ Djembe, Drums

This site is against piracy. Downloading our backups you agree to follow the rules: If you like what you hear, you are required to delete from your computer within 48 hours of MP3 and purchase the original material, primarily for legal and second, to support your favorite artists.

Advantages Of Tibicos

2010/King Crimson/The Collectable King Crimson Volume 5: Live In Japan 1995-The Official Edition

long time ago that working with the material on this blog, but from what I have observed, Kobai has maintained to date, conducted (as always) amazing work. Today I leave a material that had gone before but it seems that the links have been removed, also that there was an error in one of the files but to remedy this problem, I will not leave the bootleg that was already up ( In Concert Tokyo 1995 ), but the official version of the concert, but this time edited by Discipline Global Mobile .
As we mentioned in the CD booklet, this material has been the subject of piracy in audio and video. Therefore, DGM officially decided to publish on CD (remember that DVD is already the official Vroom Leave ) the concerts offered by the band in Japan, 5 and 6 October 1995.
addition to the setlist that many of you know, for the CD version have been added 2 new tracks: Prelude Prism and Tokyo. The latter is an improvisation of Soundscapes by Maestro Fripp.
Obviously, the sound quality is excellent, when mixed directly from the original tapes.
A material took too long to edit, but as the saying goes: "Better late than never"

(links in mediafire in the comments)

Topics:
Disc: 1
1. Circular improv
2. VROOOM VROOOM
3. Frame by Frame
4. Dinosaur
5. One Time
6. Red
7. B Boom
8. Thrak
9.
Matte Kudasai 10. Three of a Perfect Pair
11. VROOOM
12. Coda: Marine 475
13. Sex, Sleep, Eat, Drink, Dream

Disc: 2
1. Improv: Two Sticks
2. Elephant Talk
3. Indiscipline
4. Prism
5. Talking Drum
6. Larks Tongues in Aspic II
7. People
8. Walking on Air
9. Tokyo Prelude

Personnel:
-Adrian Belew / Vocals, guitar
-Robert Fripp / Guitar, soundscapes
-Trey Gunn / Warr guitar
-Tony Levin / Basses, Chapman Stick
-Bill Brufford / Drums and percussion
-Pat Mastelotto / Drums and percussion

Este sitio está en contra de la Piratería. Descargando nuestras copias de security you agree to follow the rules: If you like what you hear, you are required to delete from your computer within 48 hours of MP3 and acquire the original material, primarily for legal and second, to support your favorite artists.

Im Looking For A Chain For My Doberman

After You and I know the alphabet of the fire. Happiness

Robert Heindel

I love your breasts wild on them beats the heart of the cosmos
submarine. I love your stone

pubic burning. It guards the first alphabet

Chaldean Village. Between your thighs

is a huge beach,
"
a valley that grows in moss and light."
The sun lengthens, grows and kisses.
shine on your stone saw
the neck of the Condor of the Andes. I walked

Bogué your beaches and your seas with my nose.
With my touch, my eyes,
my ear and my tongue.
After burning monolith buried
me
between your jungle.
your seas are overflowing rivers
when I entered them.
Agnitza:
you and I know the alphabet of the fire.

• THE fire alphabet
• (Excerpt from the work Agnitza the goddess of fire)
• Carlos Muquitay

How To Clear Phlegm In My Puppy's Throat

Sergei Zlenko

• " Despite his thirty years, Bertha Young was times like now, where would you want to run instead of walk, slide down the shiny floors of your home, marking dance steps, rolling a hoop, throwing something in the air to catch it again, or sit still and laugh ... just about anything.
• What can you do if, even counting thirty years, around the corner of his street suddenly dominates him a feeling of happiness ... ... full of happiness, as if he suddenly had swallowed a piece of the evening sun shining and it will burn the chest, sending a shower of sparks all over her body?
• Do not be a way to express it without appearing "drunk or upset? Civilization is a nonsense. What is has given us a body, if we keep him locked in a case like some valuable Stradivarius? "

• Katherine Mansfield
• Happiness (fragment)

Sergei Zlenko

Free Clipart Of Dunk Tank

Fall ... Soseki

This is your fall. How much you love him. Take care of him and block him a poet who does not shrink from similes. Pull the space with the flanges of the term, before the time you right a kick at a high abyss ... Strip ... pulled with the force that gives the loss, with the aplomb of nostalgia, no longer believes in the cardinal points.

Autumn in Paris . In Mahmud Darwix . Poet of Palestine (and also goes a little for the people of the Sahara ...)

"Autumn Reflection "by Mikki Saari

Flat Shoes Gum Paste Templates

2007/100nka/"Potrawy S Trawy + Kompot Gratis"

Indecent Andy request and with the help (again) of kato , now complement the previously published disk 100nka with this pair of jazz materials, which are far more accessible than Superdesert, and also more structured, now with a preference for electric instrumentation. This pair gets cash record jams with fast guitars and bass virtuoso and keyboard use is a key point given that approach to the land of jazz fusion, but not forgetting to pass through the classic jazz tradition. Highly recommended the proposal of these Poles, and thank you for providing kato.




(megaupload links in the comments)

Potrawy S Trawy
1. alphaville [7:23]
2. barn-pink freud tribute to rozowy [7:07]
3. kukupipip [3:35]
4. w poszukiwaniu Grail [5:06]
5. upadek cx'a [4:07]
6. eliminowania sposob kielbasy [2:24]
7th disturbing the drainage zone [3:28]
9th late night nonsense [2:13]
9th con and Mouse [4:22]
10th the Colorado beetle [2:36]

Compote Free
first zwolle-yearning for paradise [6:18]
second cyber squirrel [3:20]
third a.gralakowi dedicated amateur and k.kieslowskiemu [4:34]
4th pimple on tattoo [3:11]
5th failure of the factory in the Silesian Jazz [2:35]
6th balladanalna [1:59]
7th JPII generation mp3 [3:01]
8th bad karma father's Director [4:42]
9th clues on the missing stool [1:38]
10th Working Title [3:18]
11th sauna solution [8:01]
12th podroze tajemnicze handle [3:16]
13. mycie slonia [00:59]

Line-up
Przemek Borowiecki - drums Tomek

Les-guitar Adam Stodolski - double bass Antonio ziuta
Gralak - trumpet

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Nocd Roller Coaster Tycoon 3

You used to look at me as strange ...

Renata Domagalska

You used to look at me as

a strange, sometimes I felt
as observed
that clothes soaked my all, your mouth sighed

screams deaf
your nose inspired bulk
my endorphins, my shell roofs, swollen
my fault for your trip .

Then, after minutes of sustained and wise statements


peppered me with fingers and tongue,

and I will curse you in a thousand languages \u200b\u200b
tore the guts

so eagerly that one afternoon the rain stopped for good ,

swamps dried up,

I suddenly evaporates and you, you became
in God.

Pas Meri
• Blanquer

..

Starting Program Prayers

2009/100nka & Herb Robertson/"Superdesert"

What Temp Will Pvc Pipe Freeze

1995/Pekka Pohjola/"Heavy Jazz - Live in Helsinki and Tokyo"

It's been a while since I introduced this gentleman to the blog, and all those flattering words I wrote the keep, it is not easy being the author of symphonies, jazz fusion jams playing and composing many good progressive rock albums, all in the mismca career.
The overall low, as they came to appoint one of his biographies, reveals his role dedicated to single, collective improvisation in the live material, which is called Heavy Jazz , and that freedom and surprises spontaneity characteristic of all good jazz record. Although these direct
have the disadvantage to give more weight to the guitar and keyboard, the fact is that the way he played Pohjola not overlooked, his style always smooth, refinafo, arrogant, they managed to preserve through the decades.
In my opinion this is the least original recorded Pohjola, but listening to each instrument to the best of oneself, and the nice vibe of the jams and variations on the keyboard give you something special, ideal if they feel like polished jazz-rock.

(megaupload link on the homepage and in the comments)


Track List Disc 1: 48:16
1. Relief (2:47)
2. Pressure (9:29)
3. Imppu's Tango (14:11)
4 Choppy conversation with a stranger (Comfort With A Stranger) (7:08) 5
Innocent Questions (4:08) 6
Fanatic Answers (10:33)

Disc 2: 51:10
1 Benjamin (10:56)
2 No Way Out (7:45) 3
Albatross (9:00) 4
Risto (12:10)
5 Heavy Jazz (11:19)

Line-up
- Pekka Pohjola / bass
+ Markku Kanerva / guitar
- Seppo Kantonen / keyboards
- Anssi Nykänen / drums

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Any Side Effects Of Corn Flour In Foods

2009/Guillaume Perret & The Electric Epic/"GP & TEE"

not assure you when I will make a final return to this blog with regular entries, but as this happens I leave three albums that fit perfectly with the jazz-private content. Anyway, who visited in progmundo me know that my work extra-time blogger consuming me and because of that both blogs are inactive. Although
Guillaume Perret & The Electric Epic just released their first album this year, the musicians who compose it are not neophytes instrumentalists. In fact, this group was invited to perform at the Rio Fest 2009, and those who were speaking pretty good concert.
also interesting that among the ranks of GP & T, we find Philippe Bussonnet, and is nothing less than the current Magma bassist .
From start to finish this debut shows a great quality, with a style that while appreciating much to fusioneros jazz and classical tradition, becomes only ever imitate, but it takes up. The general tone is strong truly devastating and there are sections with heavy guitars and some superb virtuosity alone with either of the guitarist or saxophonist and leader. It is a special Technical Characteristics
how Guillaume uses his saxophone, which is pretty well spent and through a variety of sounds and techniques that have been the result of a good invention and free experimentation.
Usually I talk about this record as the interaction between two layers. There is a layer that is presented to the ear as something very strange and new. In this layer is difficult to speak of a genre or a specialty, and Instrumental trances are calmer than to the turning points that are more energy. The sax and guitar melodies in this part of injecting a series of strange sensations and travel, and the intentions of the music are not clear, but somewhat hidden. Instrumental these interactions may turn around a definite inspiration, or a common theme, and not because they are descriptive or lyrical, but they convey special emotions, and become only the experience of listening to this album.
is also in this layer GP & T uses musical structures irregular and changing, práctiacmente sui generis. Just listen to the facility and the amazing way they play Circé, one of the most polished and thorough.
And then comes the other layer, linked more to jazz as such and without those estrucuturas irregular and ambiguous intentions. It is in this layer we find the tremendous sax and guitar solos and the rhythms and techniques identified with the jazz tradition.

What is a fact is that since this debut GP & T is presented as a multifaceted group, one of those groups that are transformed along the same disc, and whose music in the end if achieved enough cohesion to talk homogeneity.

(megaupload link on the homepage and in the comments)

Track List 1.Massacra
14:43 9:38
2.Circé
3.Thème pour le rivage des morts
4.Brutalum Voluptuous 8:50 8:45 5:48
5.Abidjan
6.kakoum
7.Louop 6:18 12:09 2:53
8.Troglodyte Polyglotte Anthropomorphique

Line up
Guillaume Perret - electric sax, composition, direction Philippe
Bussonnet - electric bass, effects
Yoann Serra - drums, sampler
Grandcamp Jim - electric guitar - vocals

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Mere Naam Joker Simi Garewal

Botchan, chronicles the (mis) adventures of a teacher in Tokyo, sent to practice in a school in the remote island of Shikoku, both students, real wild panda, as peculiar faculty, will make life impossible.

In I'm a cat, a cheeky kitten is applied to describe, with wit and good humor, as is the house where he lives - his master is a teacher of English literature, and the grotesque characters that visit. Both have been published in Castilian, estoppel.

Reading both Botchan as I'm a cat, I could not help but think of Dickens, especially the latter to me like a kind of Picwick Club Papers of the Meiji Era, albeit with the more leisurely style, almost static - the same that apply to the cinema, the Japanese do not know if what I say makes sense, but this has been my impression. And despite my love for cats, I liked the first.

But what amazes me about this writer is that, when read, I have the feeling that it cost him no effort to compose text that is, everything is simple: the succession of facts and descriptions, what happens to the characters, who speak and hear, the images. Everything. And it is not simple, no, leed, for example, this expression of the Cat: "The autumn leaves, swirling in two or three floors of scarlet among the pine trees have fallen as ancient dreams." In short, perfection without artifice.